#103) How not to complain #4: Heil…Taylor?

Life’s three certainties are death, taxes and looking silly when you trot out a Hitler/Nazi comparison. The latest individual to break Godwin’s Law is critic/author Camille Paglia, who recently used the term “Nazi Barbie”, referring not to Klaus but Taylor Swift.

Paglia’s essay in “The Hollywood Reporter” has a viable premise: female bonding, particularly in the entertainment industry, can be a double-edged sword. On one hand,”girl squads can be seen as a positive step toward expanding female power in Hollywood.” Paglia also notes however, “Hollywood has always shrewdly known that cat-fighting makes great box office.”

So far, so good, but Paglia loses her credibility by admonishing Taylor Swift to “retire that obnoxious Nazi Barbie routine of wheeling out friends and celebrities as performance props…”

I’m going to take a wild guess and say that Holocaust survivors reading Paglia’s words may find that comparing a pop singer to a Nazi is a stretch. It’s understandable for Paglia to dislike seeing women trying to rise in the entertainment business by latching onto a queen bee such as Swift, rather than “focus[ing] like a laser on their own creative gifts.” Sure, Swift is nothing if not calculating and no one will ever accuse her of being subtle. But when it comes to murders, however, Swift trails the competition by about 11 million. As tempting as it is for musicians like me to say, “Shake It Off” is no “Mein Kampf.”

To her credit, Paglia falls on her own sword, at least to a degree, by admitting, “Writing about Taylor Swift is a horrific ordeal for me because her twinkly persona is such a scary flashback to the fascist blondes who ruled the social scene during my youth.” Fair enough, Cam, but let’s face it: you weren’t the only teenage girl who’s had to deal with fascist blondes.

Anne-Frank-Desk

 

 

 

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